STUDIO NOTES No. 001

Photographing
the Syndicate

Lighting · Posing · Small-Scale Staging
A behind-the-scenes look at the lighting, posing, and small-scale staging used to bring the wooden weirdos to life.
Studio Note 001

Building the Illusion

The Mannikin Syndicate photographs begin as small physical scenes built and adjusted by hand.

The figures are posed with string, wire, gravity, and plenty of frustration. Every angle matters. A shoulder turned slightly too far or a hand sitting too high can break the illusion immediately.

The goal is not to hide the fact that these are wooden mannequins. It is to give them enough attitude, tension, and scale that they begin to feel like characters.

Format
Miniature Photography
Camera Position
Mannequin Eye Level
Lighting
Studio Strobes
Editing
Photoshop Compositing
Series
The Mannikin Syndicate

Posing, Lighting, and Shooting the Scene

Setup

Posing the Scene

Everything is tensioned by hand using string, wire, gravity, and loads of frustration. Small adjustments make a big difference once the camera is close.

Lighting

Shaping the Shadows

A couple of strobes and a simple backdrop do most of the work. Shadows matter more than megapixels. They give the figures weight and help separate them from the background.

Camera

Shooting Low

The camera is usually mounted on a tripod at mannequin-eye level. Shooting low makes the figures feel larger and gives the scene a more cinematic point of view.

Postproduction

Editing the Frame

In Photoshop I add, subtract, push, and pull, sometimes across forty or fifty layers and masks. The goal is to guide the eye toward the important details and let the visual noise fall away.

Behind the Scenes