Colorado-based painter and illustrator creating original paintings and drawings rooted in traditional draftsmanship.

Line’s work moves between Glassism, oil, acrylic, gouache, and graphite, blending structure, atmosphere, and storytelling with a strong emphasis on composition and hand-built imagery.

Alongside studio work, he publishes process pieces and visual essays through Pulp Logic Magazine, documenting technique, influences, and the evolving body of work coming out of the studio.